‘Ready to wear’
Personal Project, 2024
"Il vestito" 2024
Which translates to "the dress," is the inaugural piece of this collection. I've lovingly sewn and constructed both the dress and the canvas, fully embracing the journey of creation from mere fabric.
The artwork features an interactive and performative twist that invites personalization. In a world where individual expression has become paramount, particularly in fashion, l've granted this piece the beautiful freedom to evolve. Its shape can transform as the garment is attached in various ways, allowing each wearer to infuse it with their own essence.
"Who stole the curator's gloves" 2025
Who could have stolen the curator's precious gloves?
Let's embrace the literal idea of "who stole the curator's gloves," imagining the theft of those pristine, white gloves that curators typically don to handle art.
When an artist takes those gloves, they are soon marked by vibrant stains from the paint and materials found in what one might envision as a creative painter's studio. These stains morph into fluid patterns, beautifully embodying the artist's touch. It's undeniable
—the gloves have clearly been snatched by an artist.
But the question lingers: can this act truly be classified as legal theft?ging seamlessly with the canvas of our lives.
The Collection
I’ve named this collection “Ready to Wear” because, for me, the title embodies an intriguing oxymoron within the fashion industry. By definition, it refers to items crafted for the general market and sold in shops, rather than tailored for an individual customer. The beauty of this oxymoron lies in the notion that each piece is uniquely special, yet when we break down these three words, it quite literally signifies that the piece is ready to be worn. With my background in fashion, l’ve been inspired to explore the enchanting interplay between fashion and art, pondering what it would mean if fashion truly became a form of art, merging seamlessly with the canvas of our lives.